Mike Greenberg // Konspiracy Studios
  • Blog
  • April9th

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    In a perfect world we’d always have camera originals, but realistically a time will come in which you need to download video from a variety of strange sources online. While there’s plenty of ways to do this, issues can arise when you convert it for editing.

    After I download a clip I always convert it in Quicktime to match my editing sequence (normally, 1920×1080/ 29.97fps) but I’ve seen a disturbing trend. After conversion, even though within QuickTime I chose to adjust the framerate to 29.97 some clips will play correctly in finder/QuickTime but within FCP they appear slow, or out of sync with the audio.

    I’ve discovered 2 ways to remedy this, using compressor for the conversion OR the faster method of conforming within Cinema Tools. This is the same process you would use for conforming some 60fps footage to the proper slomo for editing…

    How to convert 1 clip

    1. File > Open Clip
    2. When the window opens in the lower right quadrant select “conform” and select the framerate you want to be
    3. File> Close

    That’s it! It rewrites the metadata and losslessly fixes your clip in a matter of seconds, no matter the length.

    Converting many clips

    1. Create a folder and load just the files you need to adjust into it
    2. File > Batch Conform
    3. Select any video file in that folder
    4. Choose a framerate to conform to
    Presto! Enjoy. If you have any issues or files that this doesn’t fix drop me a line and I shall investigate.

     

  • February21st

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    A quick video I put together for my favorite neighborhood bar in Pigtown, Baltimore. When you stop by make sure to get the cheesesteak and sweet potato fries!

  • February9th

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    Chris Bivins approached me to DP his latest music video featuring a spin on the Superman series. We linked up in late 2010 when I was a camera operator on his last single, “The Glow“. Chris is a genuine guy with big visions and it’s nice to have a lot of the legwork done from a story and logistical standpoint, which makes for an awesome time on set.

     

     

    We shot the bulk of the video inside of Capitol Dialysis in NE DC. It was my first time shooting on Canon’s D60- and I was thoroughly impressed. It was a very intuitive camera, and it handled every situation well. I stopped down to f5.6 for most of the shoot to give me a slightly crisper image and to make focusing easier with on the longer focal lengths.

    From a lighting standpoint most of the scenes were a combination of daylight coming through the windows and a pair of gelled Arri 600′s. I used a 300w as an accent to edge light specific shots. I was operating as a one man band and had an ambitious shot list so I tried to light the room as a whole so there would be little reset time when we shot reverses. As the story-line got darker we let the color go a little more bizarre.

    The garage scene is personally my favorite look. We turned 3 cars around with the headlights for key light, and the 600′s gelled (Red/ Full CTO) from either side behind.

    The track being released online on (my birthday!) February 10th. I’ll update with a link.